If I would stop seeing her, she would die

This work aims adentrase in nature and in the unconscious of the look, the fact of looking. “There is never staring, look physiology depends on the eye movements, while incessant and unconscious movements (motility) and constant and conscious movements (mobility). Also the more instinctive, less controlled, peek is above all a kind of twist owner, […]

This work aims adentrase in nature and in the unconscious of the look, the fact of looking.

“There is never staring, look physiology depends on the eye movements, while incessant and unconscious movements (motility) and constant and conscious movements (mobility). Also the more instinctive, less controlled, peek is above all a kind of twist owner, a complete sweep of the field of view to be consumed by the choice of the object of the gaze. “(Paul Virilio)

The image seen, imagined, the trail left. If you do not see, if not set by the camera, I thought, would cease to exist, would die. However when registering, imagining that I register with my camera-brain, that trail, that look, that image is not fixed, evolving into the future, but also from the past, make visible, give existence, I shapes, shape me.
Under these assumptions, the city is presented with a camera under the eye, as a mental city, in terms of free creation under a personal perspective. Concepts such as image, thought, movement, creation and development, are part of this way of looking at the city.

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